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ŠŠ¾Š¶Š»ŠøŠ²ŃŃŃŃ "Š²ŃŠ“ŃŠøŠ²Š°ŃŠøŃŃ" Š½Š° ŠŗŠ¾Š½ŃŠµŃŃŃ
ŠŠµ ŠŗŠ¾Š¶Š½Ń Š²ŠøŃ
ŃŠ“Š½Ń Š²Š“Š°ŃŃŃŃŃ Š½Šµ ŃŃŠ»ŃŠŗŠø Š·ŃŃŃŃŃŃŠøŃŃ Š· Š“ŃŃŠ·ŃŠ¼Šø Ń ŃŃ
Š½ŃŠ¼Šø Š“ŃŃŃŠ¼Šø, Š° ŃŠµ Š¹ ŠæŠ¾ŃŃŃŠøŃŠø, ŃŠŗ ŠŗŠ¾Š»ŠøŃŃ Š² Š“Š°Š²Š½Ń ŠæŃŠµŠ“Š°Š²Š½Ń ŃŠ°ŃŠø. Š¢Š°Šŗ Ń Š¼ŠøŠ½ŃŠ»Ń Š²ŠøŃ
ŃŠ“Š½Ń ŠæŃŠ¾Š¹ŃŠ»Šø Ń Š½Š°Ń ŠæŃŠ“ Š·Š½Š°ŠŗŠ¾Š¼ā¦
Ever Upward, with Some Careful Window Shopping Along the Way (Charles Koechlin, William Baines, Gounod, Bach, Liszt)
Some time ago, I wrote about my love of Shepard Tones here in Q-Inspired (you probably remember that, @mipiano!) but they can have strange effects on other people in their pure form. Nevertheless,
