The Hardest Part of Making Music
8 Lines. That's all I managed to write in 4 hours....and yet it feels like a job well done.
Lyrics are different from any other form of writing. Of course you can take them casually and just write whatever comes to your mind. I have some favorite songs that are like that. But if you have something precise that you are trying to express and do it in the most powerful way you can, it's like an excavation, a deep dig into bedrock to uncover treasure.
Some songs are easier to write for than others. Some songs fit certain styles better than others. Some allow you to write how you are used to writing, while others demand something entirely different, and will fight against you if you come from the wrong angle or with the wrong tools equipped.
I like blogging because it's a free flow of consciousness. This is where I share the free flowing. Here in a blog form and jamming music live or with friends in a studio or at home.
But when I write a song, it's a much more precise process. I already have an outlet for free flowing ideas, I need a place to share the very best that I am capable of, and to channel very poignant feelings, to raise the hair on the back of necks, to pull the darkness out into the light, to let tears flow freely.
You dig for gold and other precious stones. Those are the melodies, both instrumental and vocal. Then you carve it into form, chip away to create a sculpture, those are the lyrics and the production. Some shapes are easier to create than others. The difficult shapes are the ones that expose corners of us that we didn't even know existed. Those are what I usually hope to create.
Sometimes I share my findings, the raw stone, because it's beautiful as it is, a rough idea that can pass as a song. Live shows are good for that. Sometimes I want to carve away for days or weeks until I feel I've crafted a near perfect specimen.
I don't know I was suddenly called to work on such things so soon after I thought I had decided not to bother with such perfectionist drives.
But after letting go of the self judgement and limitations I had set myself, the gems began to flow out of the earth faster than I could collect them. I found myself writing a song a day, in love with almost all of them. I could barely keep track of them after a month.
And so I felt the urge to slow down and to pay respect to these beautiful, powerful things I had discovered. And so the urge to strive towards perfection was reignited, this time without any baggage attached.
"Just go, see what happens!"
And so I spent all day yesterday writing 8 lines. In fact it was more like 16 lines, but half of them are likely not staying.
The first verse felt like digging through rock with my bare hands. It felt useless at first. And then after my hands were bleeding I got to soft clay; the first and second chorus just came out without any effort at all.
Interesting how it works like that. I was reminded by a friend here not to struggle, to just let it flow.
Easier said than done.
The reason things don't flow naturally is because something is standing in their way. Preconceived notions about what it is we are creating, our attachment to genre and some kind of vision we set out before the art had it's say, our insecurities, our fixations. These are not things we can just push aside.
That is why I liken the artistic process to healing. We become a vessel for something greater than us to flow through, and in order to carry something so pure and powerful, we'd do best if we cleaned everything up.
Not every artist does, and I imagine that is where the idea that people need to be unhappy to make good art comes from.
And so I guess the fastest way for me to finish those verses would be to clear my mind and sit with the music and stop trying so hard to finish them. Just enjoy what I have already and see what comes next. Maybe I'll end up scrapping the verses entirely. Maybe I'll hear a new instrument that will evoke some new inspiration.
It's very hard to do all this when you have other responsibilities, but there's no way I'm putting it off when I have a chance to do it now. I only have 4 hours to work on it right now, and I wasn't feeling it before so I spent the first two hours writing this and clearing my mind. Now it's time to go back. If nothing comes out, that's ok, but I want to give these songs at least a few hours of my time each day. That is the least I can do!
But I can say this...the song sounds amazing already!
We are just getting started though, the recording process is when the fine details get worked out, so we are barely halfway up the mountain for 1 of 10 songs.
Here is a music video from my first collection of songs "Sun Shone Blue" (by I+Everything), up on streaming platforms:
Posted Using INLEO
I think those songs that doesn’t just want us to write from our normal writing styles are the best, and most of the times, they might not be the one’s that our listeners likes a lot, but to the singer, he/she will hold important about the songs.
I think they’ll be the way I identify who really appreciates my music the most and really understand it!
Not that I don't appreciate the creativity and human made music, but I am impressed but what AI can do nowadays. Did you try to plan and experience with AI for removing blockage inspiration or open new pathways? Just saying...
I don't know if you're just easily impressed, or if you've heard better AI songwriting than I have. All the AI lyrics I've heard sound like the kind of stuff I wrote in 3rd grade.
even when it gets better, I’m not interested or threatened by it. I want to hear the human spirit!
I do think it’s cool for people who want to focus 100% on one thing (so if I could use AI to master the tracks and it actually sounds good and natural I might use it when I don’t have money to hire someone, but even then it’s not ideal!)
I think it’s a good way to take shortcuts when making a product, but if art is the goal and the journey, AI totally misses the point.
I used it for my blog images when I was not interested in graphic design and experimenting with colors but as soon as I found some interest in that I stopped. I use it for translation of non-consequential text all the time.
I don’t see the point of using AI for creative purposes unless your goal is to create something as fast and with as little effort as possible, but thats not art, its content and it’s never the best content
I miss CDs. I miss getting the CD, and taking out the cover art, unfolding the booklet, and sitting down and listening to all the lyrics as I read them. I still do this when I'm hyper-fixating on a record, or an album... and I have a few posts coming down the pipe in that style, where I try to unpack the incredibly dense substance that lyric writing is.
It isn't just the lyrics, though. It is the keys and chords used in the background. It is the flow. The tension and the resolution, and all those other musical things that a little less than a year's worth of piano lessons taught me about the structure of music, after a life time of trying to appreciate it.
It is incredible how little the "lay people" know about "music". They bop to a hit, but I am (hopelessly) and (constantly) fascinated by the structure and the intentional choices that are made in the presentation. Whether the breath between words is heard, or concealed. It adds human-ness to the equation.
It elevates it.
Anyway, I'm rambling.
I wrote a lot of poetry in my younger years. I always hoped they could be songs one day. Now, with the years and everything they've taught me, I know they're probably not those things. They're somewhere on the chain. I'd have to search for them, or search an archive of where I've downloaded them, because the originals are compost somewhere.
Surprisingly CD’s are still a thing in Japan, not with the majority but with anyone who listens to local or underground music. It’s seen as a good way to support the artist and most people here are collectors so they want a nice music collection to show off or just look at and feel good about. And Records if you have the space and like older music.
I love when words come to me and I look at them after I wrote them and thing “what!?!? That came out of me!?”
Oh man, I bought a guitar and a Japanese textbook and changed the course of my life from an album. I was digging into different countries music and came across Shiina Ringo’s Karuki Zaamen Kuri no Hana. By the middle of the first track I was smiling uncontrollably with tears in my eyes and rage at the fact that I was so far behind as an artist. I’m generally allergic to a lot of pop but if it’s done with art placed above profit by someone who has high standards for themselves it can be as incredible as anyone else. Funnily enough it was her worst selling album, and highest ranking.
What are you listening to now?
I've had that feeling with authors and books. Ted Chiang, for instance. Incredible. Makes me feel illiterate at how smooth the prose is and how effortless the storytelling (and reading of it) is.
On the musical front, even though I'm normally a metal head, I've been going back through a Florence and the Machine phase. Its popular, but like your example, my favourite songs are the least played.
I'll have some long rambling posts reviewing each album in the coming days, because I'm an evergreen rambler.
All I know is that I like the progression of A / D / E, and so many songs on those albums use it.
I see songwriting isn’t just about putting words together, but about wrestling with emotions and patience. The struggle makes the final piece that much more powerful and rewarding.
8 lines is better than no lines!
And that process is pretty much exactly how I do stories ^_^
Yay for a good...protosong? XD