Música venezolana en los 70's [ESP]/[ENG]
Música venezolana en los 70's [ESP]/[ENG]
Saludos mis estimados amigos de hive en la comunidad @music, espero se encuentren muy bien.
Nuevamente me encuentro por acá para continuar mostrándoles la belleza de la música de la década de los años 70, 80 y 90. Esta vez con talento venezolano. Es muy probable que no conozcan algunos de los temas y hasta piensen que no es hecha en Venezuela, pero sí, todas las canciones que les voy a presentar está hecha por gente de Venezuela.
Greetings my dear friends of hive in the @music community, I hope you are doing well.
Once again I am here to continue showing you the beauty of the music of the 70's, 80's and 90's. This time with Venezuelan talent. This time with Venezuelan talent. It is very likely that you do not know some of the songs and even think that it is not made in Venezuela, but yes, all the songs that I am going to present are made by people from Venezuela.
Comenzaremos por un instrumental de Vytas Brenner, llamado "Frailejón".
We will start with an instrumental by Vytas Brenner, called "Frailejón".
El resultado fue un sonido sinfónico muy agradable, que a mucha gente de la época no le gustó porque decían que estaba deformando la música tradicional. Sin embargo, a mi parecer, Vytas fue un fenómeno que supo aprovechar todos esos ritmos latinos y los combinó de manera ingeniosa con otras corrientes musicales para obtener algo único, jamás logrado por músico alguno.
El tema frailejón, me remonta a mi época de primaria cuando me llevaron a un paseo a la embotelladora “Marbel”, donde nos presentaron un documental muy hermoso que mostraba el funcionamiento de la planta embotelladora y el proceso de fabricación de los refrescos o gaseosas. El tema musical de ese video era precisamente el frailejón de Vytas.
Este instrumental comienza con el cuatro y armónicamente se van sumando el arpa, piano acústico, bongó y todo un arsenal de instrumentos que componen una pieza de valor incalculable.
También dejó otros éxitos como: ganado, San Agustín y Caracas para locos. Si les gusta, los invito a que indaguen en internet y busquen su música para que se deleiten con ese conjunto de sonidos maravillosos.
Es el turno de Lilia Vera, con su vals "Son chispitas"
Vytas Brenner was a musician of German origin who arrived in Venezuela at a very young age and around the 70's began an impressive musical career. He was in love with Venezuelan music and began to experiment by adding to the traditional instruments, (cuatro, harp, maracas) others such as the bongo, congas, piano, violins, synthesizers, among others.
The result was a very pleasant symphonic sound, which many people at the time did not like because they said he was deforming traditional music. However, in my opinion, Vytas was a phenomenon who knew how to take advantage of all those Latin rhythms and combined them in an ingenious way with other musical currents to obtain something unique, never before achieved by any musician.
The frailejón theme takes me back to my elementary school days when I was taken on a trip to the "Marbel" bottling plant, where we were shown a very beautiful documentary that showed the operation of the bottling plant and the manufacturing process of soft drinks or sodas. The musical theme of that video was precisely the frailejón de Vytas.
This instrumental begins with the cuatro and harmonically adds the harp, acoustic piano, bongo and a whole arsenal of instruments that make up a priceless piece.
He also left other hits such as: ganado, San Agustín and Caracas para locos. If you like it, I invite you to search the internet and look for her music to enjoy this set of marvelous sounds.
It is the turn of Lilia Vera, with her waltz "Son chispitas".
Es una cantante muy completa que vale la pena recordar y por eso les traigo esta muestra llamada "son chispitas". La traigo no solo para que aprecien el talento vocal de la cantante sino también el del compositor, llamado Otilio Galindez, quien se luce con esta poesia de delicada letra dedicada al amor. Es un tema muy romántico que solía escuchar para relajarme cuando me estresaba estudiando para un exámen. Es de esas canciones que dejan un olor a campo florecido pero pintado con colores pastel.
Para cerrar este trío, lo hacemos con Gualberto Ibarreto quien interpreta otro tema romántico llamado "anhelante".
Lilia Vera is a Venezuelan singer who stands out for her vocal quality, and with that romantic style that evokes native situations of our country. Lilia has sung to love, to the people, to animals, to the daily chores of the people of the countryside and to an endless number of natural elements that enrich our flora and fauna.
She has also sung songs that speak of ideals of freedom, just as the Guaraguao and Ali Primera did in their time.
She is a very complete singer that is worth remembering and that is why I bring you this sample called "son chispitas". I bring it not only to appreciate the vocal talent of the singer but also that of the composer, called Otilio Galindez, who shines with this poem with delicate lyrics dedicated to love. It is a very romantic song that I used to listen to to relax when I was stressed out studying for an exam. It is one of those songs that leave a smell of flowered fields but painted with pastel colors.
To close this trio, we do it with Gualberto Ibarreto who performs another romantic song called "anhelante".
Recuerdo que entre los años 1973 y 1975 comenzó la carrera artística de Gualberto y cuando lo ví por primera vez en la televisión (en blanco y negro), vistiendo franela a rayas, sombrero, alpargatas y con su instrumento musical que siempre lo acompañaba: el cuatro; se veía tan sencillo que pensé que no llegaría lejos. Pero no fue así, a pesar de su apariencia tan sencilla, como buen oriental, se destacó por su potente voz y lo ayudaron esas excelentes composiciones que interpretaba.
La canción anhelante es una de las que más me gustan por su melodía, extraída del cuatro y la mandolina y esa letra que habla de un amor bonito y limpio, sobretodo esa parte que dice:
Canciones como canchunchu florido, la guácara, Maria Antonia, cerecita y la bikina fueron algunos de sus grandes éxitos, a tal punto que artistas como Luis Miguel también quizo grabar uno de ellos,como es el caso de la bikina.
Es todo por esta vez mis amigos, espero hayan disfrutado de estos temas musicales y si es así haganmelo saber a través de los comentarios.
Hasta una próxima oportunidad.
Bendiciones.
José Sifontes, nicknamed "el pollo" is the author of this beautiful musical piece interpreted by Gualberto Ibarreto.
I remember that between 1973 and 1975 Gualberto's artistic career began and when I saw him for the first time on television (in black and white), wearing a striped flannel, hat, espadrilles and with his musical instrument that always accompanied him: the cuatro; he looked so simple that I thought he would not go far. But it was not so, in spite of his simple appearance, as a good oriental, he stood out for his powerful voice and he was helped by those excellent compositions he interpreted.
The longing song is one of the songs I like the most because of its melody, taken from the cuatro and the mandolin and those lyrics that speak of a beautiful and clean love, especially that part that says:
"para mirar de lejos el matiz y el contraste
que dan tus ojos bellos junto a la inmensidad" Gualberto's songs are characterized because they speak of daily life, of the chores of the people of the eastern part of the country, of beach and sand, of land and sea, of trees and fruits, of fish and birds.
Songs like canchunchu florido, la guácara, Maria Antonia, cerecita and la bikina were some of his greatest hits, to such an extent that artists like Luis Miguel also wanted to record one of them, as is the case of la bikina.
That's all for this time my friends, I hope you enjoyed these songs and if you did, let me know in the comments.
Until next time.
Blessings.
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Me encantan las canciones con musica clasica e instrumental tipo bolero.
Genial.
Para mí son renovadoras del espíritu. Gracias por comentar